Gourd vessels and snuff boxes
Papier-mache and laquer miniature
Toys and small ceramics
Duppi - Skull Caps
Rugs, Carpets and Carpetmaking
In Uzbekistan ceramics hold a prominent place among the numerous forms of popular applied art. The first specimens of earthenware discovered in the republic go back to antiquities, and in all times the finest pieces of fancy ceramic articles brought to light with uncommon expressiveness and laconism the genuine traits of the creative genius of the people.
Dishes-lagans, bowls-pials and kossas, vases, jugs, korchagas-khums of various sizes-from huge to miniature, handy and refined in shape - have been in great demand among the broad masses for centuries. They are notable for the high skill used in making them, for the beauty of their shape, ornamentation, the harmony of audacious fancy and sense of proportion in the use of colours.
There are two kinds of decorative ceramics in Uzbekistan: kilned unglazed terracotta and glazed ceramics.
In the course of the last 110-150 years ceramics has centered in Gizhduvan, Shakhrisabz, Samarkand, Tashkent, Rishtan and Khoresm. In recent decades fame was won by the ceramists of Gurumsarai, Denau and Chimbai. The earthenware made in these parts may be divided into two groups of colouring: blue-white-green and green-brown-yellow. Adherence to this specific colouring is accounted for, to a great extent, by the method of handling the materials. In the Ferghana Valley and Khoresm, where ishkor alkaline glaze is used, blue-white-green colours are predominent because yellow and red colours decompose under the influence of ishkor glaze, while blue and green colours produce beautiful bright and delicate shades. Of invariable beauty are all shades of the yellow-red-brown colour combination in Samarkand, Bukhara and Tashkent, where lead glaze is applied. In these areas ceramic paintings strike one with their rich, fantastically glowing and refined picturesqueness.
The shape of vessels and their decorative composition hardly differ in various regions, though the ornamented motifs retain their local peculiarity to this day. In the Ferghana Valley the dark blue and light blue vessels are more frequently decorated with a delicate floral-vegetal design, while geometrical elements are of no major significance. This design is justly called a lyric one. The decoration of blue-green vessels by the oldest Khoresm ceramists is quite different. The motifs of their designs are similar to those of architectural ceramics with white interlacement against a dark-green or dark-blue background. This decorative design is characterized by spiral-shaped shoots set in geometrical figures.
Instead of local ishkor alkaline glaze contemporary Khoresm ceramists use white pounded glass, factory-made lead glaze and various kinds of decorative designs executed in a polychrome tone. It is made up of major simple geometric motifs and abstract portrayals of vegetal designs - rosettes and leaves.
The earthenware of Samarkand, Bukhara and Tashkent is notable for its colouring and way of designing. In these areas old spotted or lustre yellow-green painted designs and expressively painted major vegetal decorative designs are popular; dishes and bowls are decorated with designs of fruit and luxuriant flowering off-shoots. Apart from brush painting, engraving, carving and embossing are widely practiced there.